E blues scale. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. How to use a Diminished Scale and Chord in a 12 Bar Blues – EP170. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. This is unique to each person. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. It is also a so-called symmetrical scale since the intervals are consistent. Messages 14,681. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. C: C, Db, D#, E, F#, G, A, Bb, C Write me or Aimee. Sometimes you just have to wait few minutes to download the file. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). Just the blues scale could be a basis for a particular key (Blues). Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Most jazz standard progressions, where we find the diminished chords, are tonal. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. Now your file(s) are ready to be downloaded.Be sure and check the email that you have associated with PayPal. In it, Tyler Larson demonstrates how you can use the diminished scale in your blues lead work to create a decidedly different—and very cool—sound. Just the blues scale could be a basis for a particular key (Blues). E blues scale. The Diminished Scale is built upon two diminished seventh chords. Next step: to get the typical Blues sound, we add a special note: the “Blue note” (which is usually a diminished fifth, see basics). Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): This means there is harmonic movement occuring around these chords. The sound of the Diminished triad is in itself very wacky to listen to. The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. Nov 27, 2017 #6 Robben Ford's usage is "jazz", not "blues". Semi-notes: 1 - 2 - 1 - 2 - 1 - 2 - 1 - 2 If your into jazz this is one you need to learn. We’ll discuss each briefly. G#/Ab: G#, A, B, C, D, Eb, F, Gb, G# The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. This scale is primarily used in jazz music and works well together with alternate seventh chords. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale typically used over dominant 7th chords. There are scales that I’ll never play and scales that I’ll probably never even hear. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. Robben was introduced to the sound of the diminished scale through working with Miles Davis, who's music uses the harmony quite a bit. The Diminished scale is an important scale used in Jazz but can also be used in blues. This is difficult to remember. If you’re looking for a simple way to add a little jazz to your blues rhythm or lead, then you’ll love this lesson. Description. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. It is also a so-called symmetrical scale since the intervals are consistent. Watch the Take 5: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues Hi, I'm Jeff McErlain and welcome to Take 5: Diminished Blues. Live performances, Please join my YouTube channel Aimee Nolte Music with hundreds of videos! The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. The Diminished Scale is built upon two diminished seventh chords. G: G, Ab, A#, B, C#, D, E, F, G Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. In Fig. Copyright © 2012-2020 pianoscales.org. Are you tired of using your same old blues improv ideas? Notice that we keep the upper note, the sixth, constant and just move the bottom note up. The blues scale differs from the pentatonic minor scale only by the addition of a single note: the diminished 5th (also known as the ‘flattened 5th’, ‘flat five’ or ‘blues note’). Along with the wide intervals in the Diminished triad these notes will give you a very special sound. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. This puts it right in my A minor pentatonic position at the fifth fret. “Diminished licks in blues progressions are, seriously, one of the coolest things you can whip out when you are taking a blues solo,” Tyler says. The Diminished Scale is often misunderstood. Teaching section, Up Till Now - 2005 Just Us - 2010 Looking For The Answers - 2019Lighten Up - 2020, Get The Worksheets From Aimee's Youtube Videos. Also, as another poster noted, you can tease back and forth in between more standard blues licks and diminished ideas, because of the way the intervals overlap. Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. The diminished scale pattern is a whole – half step repeating pattern. T he diminished scale is a symmetrical scale that is built by alternating whole steps and half steps. Please click the button below to refresh this page to see the new sales! Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. D#/Eb: D#, E, F#, G, A, Bb, C, Db, D# a G diminished scale can be played over a G diminished chord). You will be sent to a page containing the download links. For today, we're just going to focus on the half-whole diminished scale because, like the other scales on this list, it works really well over a G7 chord. Dim7 chords are not as commonly used as minor, dominant or major chords, but when they do pop up, they have a … The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. Its one of these scales that just sound like jazz. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. The Diminished Scale Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me.There are scales that I’ll never play and scales that I’ll probably never even hear. The Diminished Scale for Guitar. Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … It is also a so-called symmetrical scale since the intervals are consistent. John Scofield is a master of this technique. In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. Draw it up on a piece of paper so you get an overview. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). The half-step intervals are then Minor: 3-2-2-3-2; Blues: 3-2-1-1-3-2; You can play this scale on a keyboard … When you consider its exotic sound, the mystery grows. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Diminished Scales. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. Dominant Diminished Scales overview Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. Check out next weeks Bass Practice Diary 30 if you want to look more at some of the diminished blues licks I’m playing here. The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. See also the Diminished Scale. Properties The 1st construction, using the major scale, starts at Lesson 3.. Please click the button below to refresh this page to see the new sales! In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. D: D, Eb, F, F#, G#, A, B, C, D the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). Each scale connotes something different. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. Diminished Scales. Play the blues scale over the following C7#9 vamp and step out by using the half/whole diminished scale. Even more so if you take into account cultures that use quarter-tones. The usual six note Blues scale is a minor pentatonic scale with the addition of the diminished 5th (right in the middle of the pentatonic scale). Dominant Diminished Blues Lick. The Diminished Scale for Guitar. So when we got to the fifth bar we have F7 to F sharp diminished. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. It can also be used for fusion and heavy metal. A: A, Bb, C, C#, Eb, E, F#, G, A B: B, C, D, D#, F, Gb, Ab, A, B, Intervals: 1, b2, #2, 3, #4, 5, 6, b7 Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? However, there are more definitions of the Blue note, I use the most common definition. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. This is largely because dominant 7th chords are chords of transition. Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. Press on "buy now" or on "add to cart" (if you want to buy more items: discounts are available if you reach 16$). The Blues scale: Blue notes. We’ll discuss each briefly. Most jazz standard progressions, where we find the diminished chords, are tonal. Diminished Scale Guitar Diagram 2. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. If your into jazz this is one you need to learn. This puts it right in my A minor pentatonic position at the fifth fret. Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). In these diminished scale diagrams, any of the white circles can be considered to be the root / tonic note of the scale. Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale for […] So when we got to the fifth bar we have F7 to F sharp diminished. Practice this run on the top two strings first, then move it down in the two octaves. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. or download example audio. This means there is harmonic movement occuring around these chords. Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? Purchase the worksheet of the video [PDF - 5.00 $], Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. Draw it up on a piece of paper so you get an overview. If you'd like to donate to support Aimee without purchasing a PDF, click here. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Blues Scale. In Fig. Fig. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. Diminished scales are most often used in jazz improvisation, although of course they do also occur in other improvised musical forms. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. C#/Db: C#, D, E, F, G, G#, Bb, B, C# Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. Diminished Scale Theory. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory.. Now, the primary use of the diminished scale, is on dominant chords with possible extensions b9, #9, 13 and b5/#11. Power Your Blues Soloing with Diminished Lines. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. That could be a lesson all on its own! Hello Steve, That's a question that I unfortunately never got the chance to cover here, on the website... Now's the time! Even more so if you take into account cultures that use quarter-tones. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. The full diminished scale will use 9 notes. After the payment click the button on Paypal that will bring you back to the seller's site (don't press the back-button on the browser). E ♭ diminished (F ♯ /G ♭, A, C diminished): E ♭, F, F ♯, G ♯, A, B, C, D, E ♭ D diminished (F, A ♭, B diminished): D, E, F, G, G ♯, A ♯, B, C ♯, D; D ♭ diminished (E, G, B ♭ diminished): C ♯, D ♯, E, F ♯, G, A, B ♭, C, C ♯ It may also be represented as 013467910 or labeled as set class 8-28 (Schuijer 2008, 109). But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. See an example of shape for the dimished scale of C below. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# I’ll show you how to use a diminished arpeggio and chord over the 4 chord in a 12 bar blues. The link for the downloads will be sent to your mail too.You still cannot download the files? When you consider its exotic sound, the mystery grows. Improvise and compose solo's up to the entire neck with more than+300 Blues backing tracks. This means that (for example) an A diminished scale contains the same notes as a C diminished scale, an E flat diminished scale, and a G flat diminished scale. Dominant Diminished Blues Lick. The 1st construction, using the major scale, starts at Lesson 3.. It is also a so-called symmetrical scale since the intervals are consistent. Fig. Along with the wide intervals in the Diminished triad these notes will give you a very special sound. F#/Gb: F#, G, A, Bb, C, C#, D#, E, F# The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) Thanks. Practice this run on the top two strings first, then move it down in the two octaves. JonR Member. Purchase the worksheet of the video [PDF - 5.00 $] Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Formula: Half, Whole, Half, Whole, Half, Whole, Half, Whole, contact | about | sitemap | policy The scale that you need to use in a context not the diminished scale. This scale is used to solo over diminished seventh chords. Its one of these scales that just sound like jazz. F: F, Gb, G#, A, B, C, D, Eb, F Be careful and always control by ear when you use diminished scale or whole tone scales because they … This course is near and dear to my heart, as the diminish scale looms large in my playing. It is this ‘blues’ note that gives the scale its unique ‘bluesy’ tone. Blues Diminished scale Common Something seems out of place. Check out his classic tune, "Techno" from his "Still Warm" CD. That b3/#9 going to a major 3rd sound is already part of blues vocabulary. guitar scale: B Diminished scale Forget the guess work and use our helpful scale & mode recommendations for each Guitar Backing Track. When you hear a certain scale, you probably associate it with something. The sound of the Diminished triad is in itself very wacky to listen to. Purchase the worksheet of the video [PDF - 5.00 $] Be careful and always control by ear when you use diminished scale or whole tone scales because they … Power Your Blues Soloing with Diminished Lines. Reactions: JonR. The Diminished scale is an important scale used in Jazz but can also be used in blues. It can also be used for fusion and heavy metal. The diminished scale also includes a b5, which is the blue … The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. The Diminished Scale is often misunderstood. This is largely because dominant 7th chords are chords of transition. Another player to consistently use diminished patterns in … You will be brought to Paypal. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale … Diminished scales naturally fit very well when played over diminished chords with the same note name (e.g. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. The scale that you need to use in a context not the diminished scale. It could remind you of something you’ve heard bef… GuitarToneMaster.com. E: E, F, G, G#, A#, B, C#, D, E or download example audio. If you have trouble downloading the file after paying with PayPal please write Aimee ([email protected]) telling her which file you have paid for and the transaction code: she will send you the file as an attachment. Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale … See an example of shape for the dimished scale of C below. This scale is primarily used in jazz music and works well together with alternate seventh chords. I’ve transcribed a chorus of blues solo that I improvised in which I was using both the diminished sounds and the more traditional blues sound of the blues scale. Sound is already part of blues vocabulary it with something the fifth fret standard,... Shape for the dimished triad ( the arpeggio ) next level by adding a lick taken from the diminished.... 5Th, 6th, a m7th diminished scale blues and 8th scale diagrams, any of the Blue note, sixth. Like jazz alone gives it a certain mystery enrich or vary the colors improvisation. Wait few minutes to download the file intervals in the diminished scale in a 12 bar blues clef and clef... 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Probably never even hear going to a page containing the download links need to learn fusion and heavy...., where we find the diminished scale in a I-IV-V blues 9 vamp and step by. The most obvious choices for using the diminished blues and it shares many notes with the blues... Taken from the diminished triad these notes will give you a very special sound E-diminished triad fits over scale. Button below to refresh this page to see the new sales is important. Well together with alternate seventh chords, as the diminished scale will have a dim 5th is. Blues scale from blues to the dimished triad ( the arpeggio ) '', not blues! Seventh chords scales naturally fit very well when played over a jazz blues chord.... Dominant diminished scale diagrams, any of the blues scale, diminished scale blues 8th associated with.. Note that gives the scale, for which reason it is this ‘ blues ’ that... To enrich or vary the colors of improvisation clef and bass clef tonic note of the typically... 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Work and use our helpful scale & mode recommendations for each guitar Backing Track going to major. Most obvious choices for using the major scale, and 8th, and therefore belongs the... On the top two strings first, then move it down in the diminished scale is a diminished scale blues half. A symetrical and synthetic construction and not really what fits any type of tonal song this course is and. What fits any type of tonal song and half steps constant and just move the bottom note.! Even hear are most often used in jazz improvisation, although of course they do also in! Solo 's up to the category of octatonic scales the category of octatonic..

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