In our example’s case, that would be the C major scale. Diminished Scale – It is made only by a sequence of half step (semitone) and whole step (tone).I suggest to use it just on the dominant 7th and diminished 7th chord in a jazz context.Diminished scale is used above all in Jazz music. We have the b9 (Db), #9 (Eb), and #11 (F#) in there. The half diminished scale is taken from the Octatonic jazz scale as well. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): Diminished scales are symmetrical and repeat in minor 3rds meaning that 1 diminished scale is actually 4 diminished scales. There are only 12 keys which means that there are only 3 diminished scales. Let’s now talk about the dominant diminished scale, which is also known as the diminished half-whole scale since it alternates between half steps and whole steps. Whoa! You now have the D dominant 7th Chord. G Dominant Diminished Scale on piano for jazz improv on dominant 7 chords Notice now that instead of using an A (the 9), we are using an Ab, the b9. Lowering a note means to make it lower by a semi-tone or half-step. Diminished scale … Same applies for a secondary dominant with a b9. The dominant 7th is located a whole step down from D which is C. Move it up an octave as you did before. • Each tone has two different Diminished scale: 1. Home » Piano Theory » The Diminished Scale. Diminished chords are made this way: start with a major chord. C Diminished Dominant Scale. 2. Lots of really cool notes in this scale! Find complex Jazz chords or simple triads easily Virtual piano chords and scales, alternate chord positions, voicings and modes. Let’s try F# Major to create a dominant 7th chord. A D Major triad consists of D F# & A. How To Make A Diminished Chords. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. As before, I’ll guide you through a way to build this scale where you understand it and … For example, C major – C E G. To make it diminished you lower the 3rd and 5th notes of the scale. Barry Harris's Sixth Diminished Scale. Now let’s take this concept to another Major chord to find a dominant 7th chord on the piano. This scale is called the Diminished Dominant Scale because the 3rd, 5th, and 7th are all lowered by a half step (flat 3rd and flat 5th make it diminished, and flat 7 makes it dominant). 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